Current Affairs: A Fake Interview Show – Episode 2

(Originally written as a short play during the summer of this year, posting it here after failing to get it staged.)

CHARACTERS

CHARLENE BEAUMONT

AMELIA KIRBY

HARVEY CHESWICK

REX PAULSON

Scene: A local television station

(A local television studio where an afternoon talk show is about to air. The host and the three guests are seated around a coffee table. The host, Charlene Beaumont, is seated at stage right. She is intelligent and informed. To her left is Amelia Kirby, an officious but dense person. Next to Amelia is Harvey Cheswick, obsequious and two faced. Seated at stage left is Rex Paulson, a menacing heavy.)

CHARLENE (Addresses audience)

Good afternoon, and welcome to Current Affairs. I am your host, Charlene Beaumont. Since the election of Arnie Fowler to Congress, things have been very different for District 7. In addition to an increased emphasis on security measures and a decrease on social spending, there has been a very concerted effort to go after immigrants, both documented and undocumented, environmentalists, human rights observers, women’s groups, minority groups, LGBTQ groups, civil libertarians, unionized workers, teachers, intellectuals, journalists from all forms of media, the entire county board of supervisors, people who speak with accents, appear too swarthy, and have last names that are, quote, funny sounding. With me to discuss his new administration is Congressman Fowler’s chief of staff Amelia Kirby.

AMELIA

Thank you having us, Charlene.

CHARLENE

The Congressman’s governmental advisor, Harvey Cheswick.

HARVEY

A pleasure to be here, Ms. Beaumont!

CHARLENE

And also with us is…(Looks at her notes), Director of Special Operations Rex Paulson

REX

Hi.

CHARLENE

Well, it’s been a hectic time in District 7 since the election. How have you all adjusted to your new positions as well as your sudden presence in the public spotlight?

AMELIA

Well I’ve adjusted just fine, and I really don’t know what all the controversy is about. Congressman

Fowler was very expressive about his vision during his campaign so for me there were no surprises. Plus I’ve had plenty of experience when it comes to dealing with an upset public.

CHARLENE

And where was that?

AMELIA

Customer service for United Airlines.

CHARLENE

I see. And have the rest of you readjusted to your new positions?

HARVEY

Like a hand in glove! When Mr. Fowler tells me to jump, I don’t even bother to ask him how high, I just jump.

CHARLENE

But as his governmental advisor aren’t you supposed to inform him of the duties of his job? Especially if he’s about to do something illegal or make some other kind of mistake?

HARVEY

Ha! Oh my, you are so naive. Congressman Fowler never makes mistakes. He told me so himself.

CHARLENE

Okay. And you, Mr. Paulson? Have you acclimated yourself to your new position?

REX

Yeah.

CHARLENE

All right. Now Ms. Kirby, how has the Congressman reacted to the slew of protests that have plagued him since he took office?

AMELIA

Well I just remind Congressman Fowler, and the rest of us, that the protesters represent only a small minority of voters and doesn’t reflect the majority of opinions.

HARVEY

And I have it on good authority that all these so called protesters are bussed in from out of state and are funded by George Soros.

REX

A conspiracy.

CHARLENE

Now protesters claim assiduously that they are local, and they contend that Congressman Fowler only won through voter intimidation.

HARVEY

Sore losers, ha ha!

AMELIA

They’re making that all up. I have yet to hear any examples of this so called intimidation.

CHARLENE

Well, some of the voter disenfranchisement techniques cited by protesters include closed polling stations, voter intimidation by brown shirted protesters at other polling stations, and one instance of a man in a security guard uniform who claimed to be a ballot inspector, and went around looking at filled out ballots looking for irregularities. He ended up throwing away hundreds of ballots.

REX

Mr. Fowler denies knowledge or involvement in any of these alleged activities.

CHARLENE

They’re not alleged, there’s plenty of video footage. All the local TV stations and many online sources have already shown footage.

REX

They’ll be dealt with.

CHARLENE

I beg your pardon. What do you mean by that?

HARVEY

Uh, Mr. Paulson was merely being sarcastic.

AMELIA

Of course! Rex is very well known for his sarcasm.

CHARLENE

Is that true, Mr. Paulson?

REX

Yeah, sure.

CHARLENE

Moving on. Another complaint from citizens is that the Congressman is rarely at his office. They accuse him of spending too much time golfing, bowling, playing poker, and when he does meet with constituents, it’s usually at a strip bar.

REX (Agitated)

Are you accusing Mr. Fowler of meeting with Reds?

CHARLENE

No, (Enunciates) a constituent. It means someone who lives in the Congressman’s district.

REX (Beat)

I knew that.

CHARLENE

Back to voter concerns. Many are worried that the Congressman is not only shirking his duties, he doesn’t take seriously the very responsibilities of his job.

HARVEY

Now I think I can put those worries into perspective and ultimately to rest by pointing out that candidate Fowler ran a very unique campaign. So of course after winning he going to be a unique, outside the mainstream congressman.

AMELIA

And let me add that no one takes his job more seriously that Congressman Fowler. You should see the passion with which he yells at the TV when he sees a news item he disagrees with, especially when Sylvia Brown is on.

CHARLENE

Yes, the Congressman’s opponent during the election. Why would he still be angry with her?

AMELIA

Because she said some mean things about Arnie.

HARVEY

She sure did.

CHARLENE

But since Fowler won and became Congressman, it seems rather unnecessary to harbor bitter feelings toward Mrs. Brown.

AMELIA

But she never apologized for her mean comments.

CHARLENE

Actually Sylvia Brown said very little about Fowler, especially toward the end of the campaign. Most of her ads were just clips Fowler’s more outrageous accusations, especially the obviously false claim that Mrs. Brown killed Vince Foster for the Clinton’s, and that they paid her in heroin.

HARVEY

But can you prove that it didn’t happen?

CHARLENE

You can’t prove a negative.

HARVEY

Aha! More pseudo intellectual hooey!

CHARLENE

No, it’s just common logic. You do understand the basic tenets of logic, right?

(The guests stare back at Charlene blankly.)

CHARLENE

Okay, let’s move on. Another area of concern is the shroud of secrecy that surrounds the office of Congressman Fowler. Access to him has become more restricted, and most people have no idea what happens during a typical day at the Congressman’s office.

AMELIA

Well then let me explain it to all those anxious, worried people. In the morning we put together his briefing. We keep it simple. He likes it when they have pictures and lots of color graphs.

CHARLENE

Is anything substantive said at these briefings?

HARVEY

Of course! Mr. Fowler is a very complex man who takes his job very seriously. Just the other day I attempted to bring up an important issue that I referred to as an elephant in the room. But when I said it that way, Congressman Fowler jumped to his feet and said, where’s the elephant? where’s the elephant? Then he excitedly ran around the office looking for an elephant. When we finally explained to him that it was a figure of speech and not a real elephant, he was extremely upset. He even broke down in tears.

CHARLENE

It does seem alarming that the Congressman has a hard time controlling himself.

AMELIA

But would you rather have some cold blooded, unemotional leader who doesn’t have feelings and only does things calmly, and rationally?

CHARLENE

But how do you deal with Congressman Fowler when he acts in such an emotionally unhinged way?

HARVEY (Reassuringly)

Oh, we know how to handle him when he gets in one of his special moods. A box of crayons, some paper, and he relaxes like a tranquilized animal.

CHARLENE

I see.

REX

I’d like to state for the record that Mr. Fowler does not inject tranquilizers or any other drugs. He just says no.

CHARLENE

I believe that was a metaphor.

HARVEY

That’s my fault. I should have been more plain speaking, like our beloved Congressman, instead of relying on the crutch of metaphor.

CHARLENE

Okay. Well one thing Congressman Fowler has been open about is his desire to return to policies that are fading, like mandatory minimums, suspension of civil liberties, and general prison expansion.

AMELIA

He is merely reacting to the wishes of the people.

CHARLENE

Actually public opinion is going against those policies.

HARVEY

That’s absurd!

CHARLENE

Not really. And many speculate that these policy opinions are because the private prison industry was a major donor to Fowler’s campaign.

AMELIA

But they are merely supporters who are showing their appreciation by donating to Congressman Fowler’s campaign. It’s really all quite innocent.

CHARLENE

But donations give the appearance of influence.

HARVEY

Might I remind you that money is speech?

REX

Citizen’s United, sweetie.

CHARLENE

Okay, currently money is considered speech, but that decision has been steeped in controversy, so just saying money is speech doesn’t seem to satisfy the public.

AMELIA

Well maybe the public needs to pull itself up by its own bootstraps instead of asking for a handout.

CHARLENE

I’m not sure how taking issue with moneyed interests having a disproportionate influence on elected office holders makes one a seeker handouts.

AMELIA

You see? You just answered your own question.

CHARLENE

That doesn’t make sense.

HARVEY

You need to stop thinking and just go with how you feel.

CHARLENE

Okay, I think we’re going off course here. Now I want to bring up the nagging and persistent questions that continue to surround the last election. More specifically, Fowler’s connections to figures in the criminal world.

AMELIA

Oh please! Congress are the real criminals.

CHARLENE

But Mr. Fowler is now a Congressman.

HARVEY

A new kind of Congressman, without that Washington taint.

CHARLENE

But these connections between Fowler and the criminal underworld go back years, long before he got into politics. He plays golf with members of various South American drug cartels, is suspected of having ties with members of the Yakuza, and has been accused of brokering money laundering for Russian oligarchs.

AMELIA

But as you can see Congressman Fowler has very diverse friends.

HARVEY

You think the pointy headed elites would at least give him credit for that.

CHARLENE

Uh, I think you’re missing the big picture. Now that Mr. Fowler is a congressman he is under greater scrutiny, so all those connections to criminals that he was able to hide when he was a private citizen are now in the public arena.

AMELIA

Those charges are baseless!

CHARLENE

And there’s Congressman Fowler’s insistence that climate change is a hoax despite all scientific evidence to the contrary.

HARVEY

The Earth is still around last time I checked.

CHARLENE

But the Congressman is at odds with most of his constituency. Isn’t he afraid of a backlash?

AMELIA

If Arnie took his critics seriously he would have given up long ago.

HARVEY

And he knows how to deal with his critics.

CHARLENE

How does he?

HARVEY

Oh, he has a plan.

CHARLENE

What plan?

HARVEY

A little thing called martial law.

REX (Jumps up)

You’re not supposed to mention that!

CHARLENE

What??

HARVEY

No! I didn’t say anything!

REX

That does it!

HARVEY

Noooooo!

(Rex grabs Harvey and drags him off stage.)

CHARLENE

What’s going on here?!

AMELIA

You didn’t see a thing!

CHARLENE

We’re on live TV!

AMELIA (To audience)

You! At home! You didn’t see or hear a thing! Got it?

(Runs off stage after Rex and Harvey)

CHARLENE (Pause, to audience)

Well this is flabbergasting. When we come back from break we’ll try to straighten out this mess and then discuss the Congressman’s voting record.

(Harvey runs back on stage screaming for help and then runs down the center aisle while being chased by Rex, who holds a pair and manacles or a large net, and Amelia.)

CHARLENE (To offstage)

Security!

©2017 Robert Kirkendall

Advertisements

Pacific Television Theater – Oasis

Episode 4 of the drama anthology Pacific Television Theater, performed and live broadcast from Community Television of Santa Cruz on May 27, 2017.  Oasis is a half hour drama about a dispute over a community garden.  The people of the neighborhood want to save it while the owner of the land has different plans.  Selena and her father Diego meet with Roger, who works for the land owner, to find out what’s going to happen to their community garden, and if it’s possible to save it.

Tonight’s Show!

Episode 4 of Pacific Television Theater will be performed and live broadcast tonight at 7:30PM PDT from Community Television of Santa Cruz.  Tonight’s show is Oasis, a half hour drama about a struggle to save a community garden.  Within Santa Cruz, Pacific TV can be seen on Comcast 27 and Charter 73.  Elsewhere it can be viewed online at: http://www.communitytv.org/watch/ctv-public-access-2773/

Coming Up On Pacific TV – Oasis

Oasis, episode four of Pacific Television Theater, will live broadcast on Saturday May 27th at 7:30PM PDT from Community TV of Santa Cruz, Comcast 27, Charter 73, and live webcast at http://www.communitytv.org/watch/ctv-public-access-2773/

Oasis is a 30 minute drama about a dispute over a community garden.  Selena and her father Diego go to see the owner of the land to see what his plans are.  They are met by Roger, who works for the owner.  Roger presents various plans that the owner has for the land, whereas Selena and Diego want to keep the land as a garden.

Pictured above are Francisco Oliva as Diego, Mariana Aroxa as Selena, and Christopher Fung as Roger

Pacific Television Theater – Rising Tide

This is episode three of Pacific Television Theater, Rising Tide, a one act play about a small skin care products company struggling with the challenges of growth.  The owner has ambitious plans for her small company but the workers are worried that they’ll lose sight of their original mission statement.  It was supposed air live last October 8, but due to technical difficulties it did not go out.  It was recorded however and so I am able to post it.  This is the first episode in color, and the first to use the green screen for backgrounds.

Last Show Did Not Live Broadcast

My last episode of Pacific Television Theater which was supposed to live broadcast last Saturday night was not able to broadcast due to technical difficulties.  The person in charge of programming at CTV Santa Cruz was not made aware that my show is live.  However the show was performed and recorded, so once I edit out a couple of parts I will be able to post episode 3, Rising Tide, as soon as possible.

Tonight! Episode 2!

Tonight will the airing and live broadcast of the second episode of Pacific Television Theater (formerly Pacific Avenue Theater).  Tonight’s half hour episode will feature two short plays.

Gateway is about a new resident at a gated community who soon discovers that the problems he was looking to escape from the outside world also exist within his new neighborhood’s confines.

Reunion is about two former high school classmates who run into each other two decades later.  One of them has high hopes of starting a new relationship, the other not so much.

Show time is at 7:30PM PDT on Community TV of Santa Cruz, Comcast 27, Charter 73, and live streaming on communitytv.org

See you there!

That is me on the far left in the picture above, with my cast; Steve Capasso, Jackson Wolffe, Marty Lee Jones, Tiffany Cesi Cesarin, Davis Leach, Hannah Eckstein, Seth Vernon, and Nicolette Nasr.

If you enjoy tonight’s show please consider a small donation to help with costs.  gofundme.com/PacificTV

 

Pacific Avenue Theater – Last Call

Here it is!  The debut episode of Pacific Avenue Theater, a live televised drama anthology show, recorded from a live performance at Community Television of Santa Cruz on June 25, 2016.  Episode 1, Last Call, is a one act play that takes place in a neighborhood on a slow Tuesday night.  It is an ensemble piece about people who are pursuing what they want before last call is announced.

And if you enjoyed this little play please consider a small donation to help cover costs, and to help fund future episodes.  Thank you!                                             https://www.gofundme.com/PacificAveTheater

Next episode, a pair of short comedies; Gateway, and Reunion.