Coming Up On Pacific TV – Oasis

Oasis, episode four of Pacific Television Theater, will live broadcast on Saturday May 27th at 7:30PM PDT from Community TV of Santa Cruz, Comcast 27, Charter 73, and live webcast at http://www.communitytv.org/watch/ctv-public-access-2773/

Oasis is a 30 minute drama about a dispute over a community garden.  Selena and her father Diego go to see the owner of the land to see what his plans are.  They are met by Roger, who works for the owner.  Roger presents various plans that the owner has for the land, whereas Selena and Diego want to keep the land as a garden.

Pictured above are Francisco Oliva as Diego, Mariana Aroxa as Selena, and Christopher Fung as Roger

Last Show Did Not Live Broadcast

My last episode of Pacific Television Theater which was supposed to live broadcast last Saturday night was not able to broadcast due to technical difficulties.  The person in charge of programming at CTV Santa Cruz was not made aware that my show is live.  However the show was performed and recorded, so once I edit out a couple of parts I will be able to post episode 3, Rising Tide, as soon as possible.

Tonight! Episode 2!

Tonight will the airing and live broadcast of the second episode of Pacific Television Theater (formerly Pacific Avenue Theater).  Tonight’s half hour episode will feature two short plays.

Gateway is about a new resident at a gated community who soon discovers that the problems he was looking to escape from the outside world also exist within his new neighborhood’s confines.

Reunion is about two former high school classmates who run into each other two decades later.  One of them has high hopes of starting a new relationship, the other not so much.

Show time is at 7:30PM PDT on Community TV of Santa Cruz, Comcast 27, Charter 73, and live streaming on communitytv.org

See you there!

That is me on the far left in the picture above, with my cast; Steve Capasso, Jackson Wolffe, Marty Lee Jones, Tiffany Cesi Cesarin, Davis Leach, Hannah Eckstein, Seth Vernon, and Nicolette Nasr.

If you enjoy tonight’s show please consider a small donation to help with costs.  gofundme.com/PacificTV

 

Pacific Avenue Theater – Last Call

Here it is!  The debut episode of Pacific Avenue Theater, a live televised drama anthology show, recorded from a live performance at Community Television of Santa Cruz on June 25, 2016.  Episode 1, Last Call, is a one act play that takes place in a neighborhood on a slow Tuesday night.  It is an ensemble piece about people who are pursuing what they want before last call is announced.

And if you enjoyed this little play please consider a small donation to help cover costs, and to help fund future episodes.  Thank you!                                             https://www.gofundme.com/PacificAveTheater

Next episode, a pair of short comedies; Gateway, and Reunion.

 

Live Televised Drama Project Update

For my Santa Cruz CTV live drama project I’m also fundraising with GoFundMe.  Here’s the link:

https://www.gofundme.com/264u7g4

Pacific Avenue Theater is an exciting project.  The drama and the continuity of performance of live theatre amplified by the electronic visual medium, and a harkening back to the Golden Age of Television which featured some of the best actors, directors, and writers of its day.

The first 30 minute play for the Pacific Avenue Theater is named Last Call, a drama that takes place in a neighborhood pub on a Tuesday night.  I have my cast of six (pictured above) and we’ve begun rehearsals.  Now I have to find props and sets.

WE GO LIVE ON JUNE 25TH AT 8:00PM PDT!

The broadcast will be on Community Television of Santa Cruz, Comcast 27 and Charter 72, but I’m also going to try to live webcast it so anyone outside the Santa Cruz area can watch it.

Hope this works. 🙂

 

 

 

Your Place Or Mine? – A 10 Minute Play

CAST OF CHARACTERS

SHEILA, a woman of about 30

GEORGE, a man of about 30

UNCLE LEO, a man of about 50

AMY, a girl of 10

BRIAN, a man in his early to mid 20’s

Scene: The front room of Sheila’s house

Time: Contemporary

(The front room of Sheila’s residential house. Upstage is the front door at one corner, and a hallway leading to the rest of the house at the other. A couch is downstage facing the audience. It is night and the room is dark. The front door is unlocked, opened, and Sheila and George enter.)

SHEILA

Here we are!

GEORGE

(Kisses Sheila)

Nice place.

SHEILA

You haven’t even looked at it.

GEORGE

(Looks around)

Place looks beautiful, now let’s go see the bedroom, heh heh.

SHEILA

Oh you! I just want you to have a look around so you know me a little better. After all, we’ve only just met.

GEORGE

Uh oh, are there some skeletons in your closet that are going to surprise me?

SHEILA

Of course not, I just like to make a good first impression.

GEORGE

I like everything so far.

SHEILA

Same here.

(They kiss some more)

Why don’t we get more comfortable.

(They go to the couch and try to sit down, but stand right back up.)

GEORGE

Hey! What the?

SHEILA

(Turns on lamp)

Uncle Leo?

(Uncle Leo, who was laying on the couch, sits up.)

UNCLE LEO

Oh, hi, Sheila. I didn’t here you kids come in.

SHEILA

Well what are you doing here?

UNCLE LEO

Bad news, dear, I was foreclosed upon.

SHEILA

(Sits on couch)

Oh no, that’s terrible!

GEORGE

(Less interested)

Yeah, that’s too bad.

UNCLE LEO

Just my luck, I bought at the wrong time.

SHEILA

I am so sorry. I heard you were underwater and having trouble with the payments, but I didn’t know you were about to lose your home.

UNCLE LEO

Your mom said I could use the guest room until I get back on my feet, I just fell asleep out here.

(Gets up off couch)

Anyways, I’ll get off to bed and leave you two alone.

GEORGE

Yeah, nice meeting you.

SHEILA

Now wait a minute, how come you didn’t short sell?

UNCLE LEO

(Sits back down)

Well, ever I since my back injury I missed out on a lot of work, so I went through my savings, and insurance didn’t cover everything, so all these medical bills piled up, then I was a little late on the mortgage. Next thing I know the bank was foreclosing.

SHEILA

How many payments did you miss?

UNCLE LEO

One.

GEORGE

(Incredulous)

They foreclosed after one missed payment?

UNCLE LEO

Yeah, I should have read the fine print.

SHEILA

(As Sheila is speaking, George becomes increasingly annoyed)

Well you should go see a lawyer, because you know what, Uncle Leo? A lot of those foreclosures are illegal. Seriously, I’ve been following this issue, all those sub-prime mortgages are bundled, packaged, and resold to other banks with inflated ratings. You see, mortgage backed securities are toxic assets based on a faulty foundation of repackaged debt, and in the unregulated derivative market large banks bet against their own mortgages, and when the whole scheme is about to collapse they get a bailout from the government so their profits are privatized while their losses are socialized.

UNCLE LEO

Of course. How did I not see that?

SHEILA

Because The mainstream, corporatized media doesn’t cover these issues. It all goes back to the ending of the Glass Steagall Act back in ’99 which removed the protective firewall that separated commercial banking from investment banking and ushered in a new era rampant speculation. So you get some professional help.

UNCLE LEO

Thanks, Sheila, always so supportive.

(To George)

Is this a good girl or what?

GEORGE

Uh, yeah, that’s what I was thinking.

UNCLE LEO

(Gets up)

Okay, I’ll get to bed now. Good night, you two.

SHEILA

Good night, Uncle Leo.

GEORGE

Nice meeting you.

(Uncle Leo exits through hallway.)

GEORGE

(Sits down next to Sheila)

Now where were we?

SHEILA

Just getting started.

GEORGE

(Starts kissing Sheila)

Sure wasn’t expecting that.

SHEILA

At least we’re all alone now.

(George and Sheila start kissing. Sheila reclines back on the couch as George leans on top of her. As they’re kissing, Amy, Sheila’s young daughter, enters from the hallway unnoticed. She stands at the end of the couch and looks at the top of George’s head. George looks up and sees Amy.)

GEORGE

Hi there.

(Goes back to kissing Sheila, then looks up shocked)

Whoa!

SHEILA

Amy?

(Pushes George off of her and sits up)

What are you doing up at this hour?

AMY

Waiting up for you, you’re late.

SHEILA

I’m sorry, honey. I must have lost track of the time.

AMY

(Sits on couch next to Sheila and George is pushed aside)

You were supposed to help me with my geography homework.

SHEILA

That’s right! Oh, I’m so sorry dear.

AMY

That’s okay, I got the answers off the internet.

(Looks at George)

Who are you?

SHEILA

Amy, this is George, he’s a friend of mine.

GEORGE

Good to meet you, Amy.

AMY

(To George)

Hi.

(To Sheila)

Got a letter from dad today.

GEORGE

(To Sheila)

You’re married?

SHEILA

No, we’re divorced, and you don’t have to worry about him coming around.

GEORGE

Oh, good.

AMY

He’s in prison.

GEORGE

What?

SHEILA

Amy, dear, you’re making George nervous.

GEORGE

No, I’m not nervous.

AMY

Could have fooled me.

SHEILA

Amy! That is no way to talk to an adult!

AMY

But every time you bring home one of your friends I end up having to do my own homework. That’s what made dad upset and caused him to do what he did.

GEORGE

(Concerned)

What did he do?

SHEILA

It was nothing.

AMY

He assaulted one of mom’s friends.

GEORGE

He did what?

SHEILA

It was barely a scuffle.

AMY

Are you kidding? The poor guy spent a month in traction.

SHEILA

Okay, so he had a couple of broken bones.

AMY

And it took a year of rehab before he could walk again.

SHEILA

But he’s fine now.

AMY

Except for the lingering psychological damage.

SHEILA

I think it’s time for you to head off to bed, young girl.

AMY

Okay.

SHEILA

Good night, dear.

(Kisses Amy)

GEORGE

Nice meeting you, Amy.

AMY

(Drolly)

Yes, it was thrilling.

(To Sheila)

Good night, mom.

(Amy hops off couch and walks to hallway.)

AMY

Try not to make any noise, you two.

(Exits)

SHEILA

Well, now you’ve met some of my family.

GEORGE

Will there be any more surprises?

SHEILA

No, not at all. Now we’re all alone.

GEORGE

Finally.

(They start kissing)

So any crazy relative living down in the basement, ha ha.

SHEILA

No, just my brother.

GEORGE

You’re brother lives down in the basement?

SHEILA

Yeah, well ever since he got back from Afghanistan he’s had trouble readjusting and finding work. Any one of us would have let him have one of our rooms, but he insisted on the basement.

GEORGE

So, there isn’t any chance he’ll sneak up on us?

SHEILA

No, not at all. Brian likes to keep to himself. If he is still up he’s either reading or watching the History Channel.

GEORGE

Well anyone willing to serve our country is a stand up guy.

SHEILA

Yes, we’re very proud of him.

(Brian appears and is crawling slowly crawling across the floor on his belly. He is carrying a broom handle in his arms.)

GEORGE

He must have seen some intense action.

SHEILA

Yes, he doesn’t like talking much about the war. It really affected him.

GEORGE

Does he have PTSD?

SHEILA

As long as takes his medication he’s all right.

GEORGE

(Cautiously)

What happens if he doesn’t?

SHEILA

Hallucinations mainly.

(Brian has sneaked around to behind the couch, then quietly stands up with the broom handle which he holds like a rifle.)

GEORGE

Hallucinations?

SHEILA

Yes, he has a psychotic break from reality and imagines he’s back fighting in Afghanistan.

GEORGE

There aren’t any firearms around the house, are there?

SHEILA

No, there is nothing deadly like that laying around, of course he’s always bragging how he can turn anything into a weapon.

(Brian advances upon them from behind.)

SHEILA

But he usually just keeps all that to himself. He doesn’t like to be agitated.

(Brian jumps downstage and points broom handle at George.)

BRIAN

Halt! Who goes there?!

GEORGE

(Surprised)

What the hell?!

SHEILA

Brian? Have you not been taking your medication?

BRIAN

Ma’am, will you please step away? This insurgent may be a suicide bomber.

GEORGE

Huh?!

SHEILA

(Stands up off couch)

Brian, you put that broom handle down right now and get back to your basement!

BRIAN

Ma’am, we need to get this insurgent back to Bagram so we can interrogate him.

GEORGE

(Jumps up)

Oh no you don’t!

BRIAN

Hey, Sarge! We need a translator!

(Uncle Leo runs in from the hallway with a bottle of pills, Amy runs in right behind him.)

UNCLE LEO

I’ve got his pills!

(George runs from Brian, then Uncle Leo and Amy run after Brian.  Chaos ensues.)

UNCLE LEO

I can’t get this childproof cap open!

AMY

(Takes pill bottle)

I’ll do it.

(Amy open the pill bottle while Uncle Leo gets a hold of Brian and wrestles him down onto the couch.)

AMY

Hold him down!

(Amy climbs onto couch, pours pills into Brian’s mouth, makes him chew and swallow, then Brian starts to relax while jabbering indecipherably.)

GEORGE

That does it! We’re going to my place!

(Takes Sheila by the hand and goes to the front door)

SHEILA

Where do you live?

GEORGE

A place where there’s more peace and quiet and less racket and danger!

SHEILA

And where’s the that?

GEORGE

Ferguson.

©2012, 2015 Robert Kirkendall